Execution: A Guide to the Ultimate Penalty Read online

  EXECUTION

  This edition published in 2012 by Summersdale Publishers Ltd

  First published as The Book of Execution by Headline Book Publishing in 1994

  This edition copyright © Geoffrey Abbott 2005

  Photo work by Chris Holmes Photography, Kendal, Cumbria

  The right of Geoffrey Abbott to be identified as the author of this work has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.

  All rights reserved.

  No part of this book may be reproduced by any means, nor transmitted, nor translated into a machine language, without the written permission of the publishers.

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  This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent publisher.

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  ABOUT THE AUTHOR

  Geoffrey Abbott served in the RAF during World War Two before later becoming a ‘Beefeater’ at the Tower of London. He has written more than 24 books on torture and execution, has appeared in numerous TV documentaries as consultant or executioner and, by invitation, has written entries on torture and execution for the Encyclopedia Britannica. He once stood on the ‘drop’ trapdoors in the execution chamber of Barlinnie Prison, Glasgow (as a fact-finding author, not a convicted criminal!) and has also experienced having a noose placed around his neck by a professional hangman – the late Sydney Dernley, a man endowed with a great, if macabre, sense of humour! He lives in the Lake District.

  CONTENTS

  Introduction

  Axe

  Bastinado

  Beaten to Death

  Boiled Alive

  Brazen Bull

  Broken on the Wheel

  Buried Alive

  Buried Alive Upside-down

  Burned at the Stake

  Burned Internally

  Cannibalism

  Cauldron

  Cave of Roses

  Crucifixion

  Cyphon

  Diele

  Drowning

  Dry Pan

  Eaten by Animals

  Eaten by Crocodiles

  Electric Chair

  Firing Squad

  Flayed Alive

  Fried to Death

  Gas Chamber

  Gibbet

  Gridiron

  Guillotine

  Gunpowder

  Halifax Gibbet

  Hanged Alive in Chains

  Hanged at the Yard-arm

  Hanged, Drawn and Quartered

  Hanging

  Hara-kiri

  Impaled by Stakes

  Iron Chair

  Iron Maiden

  Keel-hauling

  Lethal Injection

  Mannaia

  Mazzatello

  Mill Wheel

  Nail through the Ear

  Necklacing

  Over a Cannon’s Muzzle

  Pendulum

  Poison

  Pressed to Death

  Rack

  Sawn in Half

  Scaphismus

  Scottish Maiden

  Sewn in an Animal’s Belly

  Shot by Arrows

  Spanish Donkey

  Starvation

  Stoned to Death

  Strangulation

  Suffocation

  Sword

  Thousand Cuts

  Throat Slitting

  Thrown from a Great Height

  Tied in a Sack with Animals

  Torn apart between Two Trees

  Torn apart by Boats

  Torn apart by Horses

  Twenty-four Cuts

  Miscellaneous

  Jargon of the Underworld

  Select Bibliography

  ACKNOWLEDGEMENTS

  Appreciative thanks are due to all those who were roped in to advise on hanging, those who stuck their necks out and helped me on the subject of the guillotine and axe, others who sat in during discussions on the electric chair – and even those who failed to get the point of lethal injection.

  More seriously, I am indebted to the German, Dutch, French and

  American staffs of NATO libraries during the years 1956 to 1974, and the curators and custodians of the many Continental museums and castles who so kindly imparted information on their more gruesome exhibits.

  In particular, much credit is due to Dr Harold Hillman, Reader in Physiology and Director of Unity Laboratory of Applied Neurobiology at the University of Surrey, England, for his precise and detailed information on the anatomical effects and likely pain caused by the various methods of execution, and also to Michael Clark of Lornshill Academy, Scotland, for the material he so helpfully provided.

  While every effort has been made to trace copyright in all material in this book, the author apologises if he has inadvertently failed to credit any such ownership.

  Photographic work is by The Studio Workshop, Kendal, Cumbria.

  INTRODUCTION

  Man learned to tie knots – and so was able to create a hangman’s noose; means of making fire were discovered – and heretics were burned at the stake; the wheel was invented – and felons were broken on it; blunt iron became sharpened steel – so decapitation by axe and sword became possible. And even if such knowledge or facilities were not available, local resources always existed with which to dispose of unwanted members of society – they were fed to crocodiles, trampled under elephants’ feet, thrown over cliffs, submerged in rivers... It is hardly surprising, therefore, that so many methods of execution have evolved worldwide, all of them devoted to one basic requirement, that of depriving the offender of his or her life.

  History books, newspapers, television – all feature accounts of executions that have taken place over the centuries, but many questions are left unanswered: what methods do other countries use? Which method hurts the least? How do people behave when faced with execution? Does any method bring instant death? And, anyway, how instant is instant?

  To those of an inquiring turn of mind, more prosaic yet just as thought-provoking questions arise: how is the victim held down on the guillotine? Does everyone who is hanged fall the same distance? In lethal injections, what is injected? What kind of gas is used in the chamber? How much voltage surges through the electric chair? Is a single blow of the axe or sword always sufficient? And many more.

  And what of those who administered the final act, the executioners themselves, their natures and characters being as shrouded as were their victims after the deed? Furthermore, little is reported about the occasions when executions went terribly wrong, when electricity supplies failed or ropes broke, guillotine blades jammed or axes swerved. Were the victims acquitted or re-executed?

  The world is still as relatively violent as it was centuries ago, with criminals, murderers and terrorists still disrupting society and its preferred way of life. The whole subject of capital punishment is constantly under review in many countries, some seeking to reintroduce it, others to replace its current meth
od by less painful ones or to abolish it altogether.

  The question of the justification for the judicial taking of human life is outside the scope of this book, but before the public can come to any decision and thereby, hopefully, influence their governments, it is essential that all the facts of the different methods be known. To that end it is hoped that in some small way this encyclopedia can contribute to that knowledge, while urging at the same time that the wrongs suffered by the victims of crime should always be borne in mind – to the same degree.

  AXE

  ‘When all was ready, he turned to the executioner and said he would like to examine the axe. He ran his finger along the edge and said, “This is sharp medicine, but it will cure all diseases.” He then knelt down and placed his head on the block.’

  The very prospect of a not-so-sharp wedge of iron descending forcibly on the back of one’s neck, perhaps more than once, evokes shudders of horror. Yet this method of execution, rather than that of hanging, was actually granted as a privilege to those of noble birth, death by cold steel being considered more honourable, akin to being slain on the battlefield.

  The execution axe itself was not unlike the battleaxes used in combat which, far from being finely honed and balanced weapons, were designed solely to batter through armour and cleave through helmets. Likewise, the ‘heading axe’, as it was called, was little more than a blunt, primitive chopper which crushed its way through the flesh and vertebrae of the victim as he, or she, knelt over the block.

  Death did not always come quickly. The executioner was not noted for his expertise or his sobriety, and the axe he swung was heavy and unwieldy, so ill balanced that it had a tendency to twist in his hands as it descended. Moreover, he was required to aim at an extremely small target under the critical gaze of a crowd numbered in thousands, these factors all having a further disruptive effect on his accuracy.

  It is hardly surprising, therefore, that, on occasions, it took more than one blow to complete the task. ‘Pray do your business well,’ exclaimed James, Duke of Monmouth giving the executioner some gold guineas to ensure a swift demise. ‘Do not serve me as you did Lord Russell. I have heard you gave him three or four strokes – if you strike me twice I cannot promise not to move.’ The noble duke should have saved not only his money but his breath as well, for it took Jack Ketch five blows before the head was completely severed.

  To appreciate what sort of an instrument the heading axe is the specimen displayed in the Tower of London merits close study. No replica, it is reportedly the one used to decapitate Simon, Lord Lovat, in 1747, he being the last man to be executed by the axe in this country.

  The instrument is about 36 inches long and weighs 7 pounds 15 ounces. The rough, unpolished blade is 16½ inches long, its cutting edge being 10½ inches in length. As crude and brutal in action as it is in appearance, its absence of precision, while not deliberate, was not considered important. It was, after all, a weapon of punishment, not mercy, epitomising the slogan: ‘Behave or be beheaded!’

  The axe’s partner in crime was of course the block. At first just any old piece of timber, it soon evolved into a carefully shaped sculpture designed to facilitate the executioner’s task. As the victim’s throat had to be supported by a flat surface ready for the axe blow, a hollow was scooped out of one side to accommodate the victim’s chin and a similar, though wider, hollow on the opposite side of the block allowed the victim to push his, or her, shoulders forward as far as possible, thereby stretching the neck and increasing the size of the target area.

  Most blocks were about 2 feet high, permitting the victim to kneel. Lower ones, such as the 10-inch-high one used for the execution of King Charles I, required an almost prone position, this attitude inducing an even greater sense of helplessness in the victim.

  A new block was usually prepared for each execution, the impact of the heavy blows invariably splitting the timber after the blade had passed through the victim’s neck. The shock also made the block bounce, sometimes even causing the victim’s body to be jolted to one side or the other, both reactions tending to deflect subsequent blows of the axe.

  With experience and foresight, these unfortunate repercussions could be countered, as exemplified by the precautions taken at the executions of the two Jacobite leaders, Lord Kilmarnock and Lord Balmerino, on Tower Hill in August 1746. Vast crowds had been assembling since before dawn to watch the event, spectators clambering on to roofs and balconies, some even scaling masts and clinging to the rigging of ships moored in the Pool of London.

  As recorded by the Lieutenant of the Tower of London:

  ‘First went their four Yeoman Warders, two and two, then I followed singley; after Me followd Lord Kilmarnock the Prisoner, then the Chaplins and two friends. Then Lord Balmerino attended by the Gentleman Gaoler; then followd an Officer and fifteen men. Two herses with the Coffins for the two Lords came behind, then a Sergent with fifteen men more, all with their Bayonets fixd; thus we handed them over to the sheriff at the Gates, who took them up the Hill to the scaffold. There the Undertaker was ordered to take the Coffins out of the Herses and lay them together on the scaffold. The block was, at the request of the Prisoners, made two feet high, and I desired a good Stiff post to be put just under it to brace against the blows, and a piece of red Bais to be had, in which to catch their heads and not let them fall into the sawdust and filth of the scaffold, which was done. And the Earl of Kilmarnock had his head sever’d from the Body at one Stroke, all but a little skin which with a little chopp was soon separated. He had orderd one of his Warders to attend him as his Vallet de Chambre, and to keep down his body from strugling or any violent Convulsive Motion, but it was observed by those on the scaffold that the Body, on the Stroke, sprung backwards from the block and lay flatt on its back, dead and extended, with its head fasten’d only by that little hold which the Executioner chopt off. So that it is probable that whenever the head is sever’d from the Body at one stroke, it will allwais give that convulsive spring or bounce.

  Lord Balmerino’s Fate was otherwais, for tho’ he was a brave and resolute Jacobite and seemed to have more than ordinary Courage, and indifference for death, yet when he layed his head on the block and made his signal for decollation, he withdrew his body, so that he had three cuts with the axe before his head was severed, and the by Standers were forc’d to hold his body and head to the block while the Separation was making.’

  That was the semi-official account by an officer of the Tower based on the report he had received later from the sheriff and others. What actually happened on the scaffold were moments of high drama intermingled with what can only be classed as pure farce.

  The man at the centre of the proceedings was executioner John Thrift, a man hardly suited for such a role. For the past ten years or so he had been carrying out his duties more or less adequately, dispatching his victims in the recognised manner, by the rope. The axe, reserved for traitors and the like, had but briefly entered his orbit, yet here he was, the centre of vast attention, having to behead two lords. Had tranquillisers been invented, John would have had his pockets full of them.

  So when, dressed in his white suit, he stood by the block and saw the immense crowds, heard the buzz of tense excitement, the mounting roar from those crammed by the gates as the victims and escort approached, it all proved too much for him. He fainted. The officials on the scaffold, already uneasy about his capabilities, gathered round and revived him with a glass of wine. Worse, however, was to follow, for when the young Lord Kilmarnock came up the steps, Thrift burst into tears, more wine being required to enable him to regain his composure. A further tonic was administered by Kilmarnock, who not only spoke gently to him but also slipped a purseful of guineas into his hand.

  This, it would seem, was sufficient to stiffen John’s morale for, as his victim knelt over the block, the executioner advised the lord to move his hands from the block ‘lest they should be mangled or intercept the blow’. Stepping back, the executioner raised the
axe, brought it down, and, as reported, one stroke proved sufficient.

  There was then a brief interval to permit the removal of the body, the scattering of clean sawdust to soak up the pools of blood, and for Thrift to don a clean white suit. His confidence was far from regained though, when the doughty Lord Balmerino strode on to the scaffold, defiant to the last, dressed in his rebellious regimental uniform, the blue coat with red facings which he had worn in the Pretender’s army. Under his uniform he had put on a woollen shirt which, he said, would serve as his shroud.

  At the imposing figure of his next victim, the executioner’s nerves were once again at the point of collapse. Humbly, he asked his victim for his forgiveness, to which Balmerino answered, ‘Friend, you need not ask me to forgive you,’ and he presented the axeman with three guineas, adding, ‘I have never had much money, and this is all I have. I wish it were more, for your sake. I am sorry I can add nothing else but my coat and waistcoat.’

  Balmerino then approached the block. Undecided as to which side he should kneel, he hesitated, then suddenly made up his mind and took up the correct position. Then, abruptly, he gave the signal that he was ready by throwing out his arm in such a violent movement that Thrift, caught off balance, brought down the axe so feebly that the lord sustained only a flesh wound. Hence, as stated, two more blows were necessary before John had earned his fees.

  After the executions were over, the bodies were laid in the waiting coffins and transported in the hearses back into the Tower. There they were immediately interred in the Chapel Royal of St Peter ad Vincula, their lead coffin-plates now displayed on its west wall.

  For poor John Thrift, to say nothing of his victims, the trauma on the scaffold was far from over, for later that year, on 8 December, he had to behead Charles Radcliffe, younger brother of the Earl of Derwentwater who had been executed in 1715. Radcliffe should have met his death with his brother but had escaped from the Tower.